Comment AI, Animation, and Firefly's reboot. (Score 1) 114
A lot of people in this thread seem stuck on "yay, Firefly, boo cartoon, no AI thank you" as if animation and AI are automatically some kind of downgrade. I think that gets this exactly backwards.
Fillion has to thread a bunch of needles to make this project work. The timeline placement is not just a continuity dodge. It is also the one place where the project can still use Wash without crashing headlong into the fanbase's cognitive dissonance from the Serenity film, but it also slams into a different problem, the actor existence failure problem, where an important character outlives his canon actor. Live action does not solve either of those problems, without creating even more cognitive dissonance. Live action just adds budget pain, aging actors, and the awkward spectacle of trying to pretend twenty-plus years have not passed. Don't misconstrue me, here, I am not saying it can't be done -- ST:SNW is pretty much walking that exact line right now, and doing it superbly, though I think it was a very lucky accident, not Paramount's tactical genius.
But Fillion's company does not have the deep, deep coffers that Paramount does. He needs something that pleases existing fans, doesn’t scare off new ones, can actually be financed, and allows him to address the death of a key actor in a way that doesn't alienate the fanbase. He knows what he's up against -- a franchise still haunted by a film that put not one, but two bullets into the existing fandom’s emotional center of mass. I'm fairly certain Whedon wanted Serenity to kill off any idea of a reboot. This is not going to be easy. Fillion has his work cut out for him.
And yes, that brings us straight to the AI minefield. Under current California law (AB 1836), which Fillion's company Collision33 and their partner Disney must abide by, the Ron Glass estate has total veto power and financial claim over his vocal likeness. I am not seeing the AI-fucks-actors moral apocalypse here. If his family chooses to treat AI as a digital legacy tool and are guaranteed compensation, what is the problem?
We’re talking about a high-fidelity preservation of a performance style, not a replacement of the performer. It’s less deepfake, and more digital restoration of a voice we already lost. If it worked for James Earl Jones and Darth Vader, why can't it work for Ron Glass and Book?
I know this is not a universally shared view, especially on Slashdot, where reports of the use of AI in *any* project is an open invite to anti-AI drive-by trolls, but the idea that AI-assisted recreation of an actor's recorded voice is somehow a disqualifying sin strikes me as backwards. Ron Glass did not take his talent with him to the grave. Glass' talent is still with us, preserved in recordings, from Barney Miller to Firefly. We still cherish it precisely because it was captured. If his family signed off, the estate was compensated, and the use was clearly disclosed, I would not see an AI-assisted vocal reconstruction as "fake." I would see it as one more tool for preserving a performance tradition that the medium itself made possible.
Hollywood -- writers, studios, actors, fans, everybody in this ecosystem -- is going to have to come to terms with this whether it likes it or not. AI is not just a productivity gimmick or a cost-cutting toy. Used well, it can also be a preservation tool. The blanket claim that AI recreation of a deceased actor is inherently disrespectful makes about as much sense to me as saying film restoration is disrespectful because the original negatives aged.
Fwiw, I still think the safe-pocket-in-the-timeline move is doing a lot of the creative heavy lifting here, but I do love the fuck-you-Fox signal that the Athenia pilot is sending -- it actually respects the episode order that Whedon intended for the series that Fox ignored because they wanted more humor and action in the opener to reduce the risk of scaring off their target demographic. I'm not out on a limb, here -- it was that target demographic's lack of sophistication, and Fox's very lucrative history of pandering to it, that doomed Firefly's run. And yes, I still think invoking Whedon's blessing for this project is tactically clumsy; baggage added to a pitch that already has enough risk baked in. But it's Fillion's call, and I'll back him, because I'd like to see the series rebooted, and he's the guy in a position that could make it happen.
I am fairly certain that Fillion's choice to use animation, and to honor Ron Glass's voice by recreating it (either by a voice actor or by AI) do not justify the anti-animation, anti-AI drive-by trolling permeating this thread. AI and animation are part of the solution set Fillion is trying to find to get this Firefly project out of his head and into our lives again. If AI can help preserve the presence of a performer people loved, with consent and transparency, then treating that as some kind of moral apocalypse seems bonkers to me. At the end of the day, for a Firefly reboot, animation and AI isn't just a budget call -- it’s a recovery project. It’s the original cast taking back the controls from the executives who steered them into a ditch two decades ago. If AI and ShadowMachine -- an animation studio with multiple awards, including an Oscar -- are the tools Fillion needs to get Firefly going again, I'm all for it.